CD Skripsi
Representasi Sosial Peran Ibu Tunggal (Analisis Semiotika Roland Barthes Dalam Film 20th Century Women)
Social representation of single mothers in popular media reflects how social constructions of women, family, and gender roles are formed and maintained within society. As a cultural medium, film does not merely tell stories but also reproduces prevailing social values, including those related to the portrayal of single mothers. In the United States, female-led family structures are increasingly accepted, and their representation in film reflects the shifting values of modern society.
This study aims to examine the social representation of the role of single mothers in the film 20th Century Women (2016) directed by Mike Mills, focusing on the character Dorothea Fields. The research adopts a qualitative approach using Roland Barthes’ semiotic analysis, which encompasses three levels of meaning: denotation, connotation, and myth. Data were collected through documentation techniques involving selected scenes from the film, supported by references from books, journals, and previous research.
The analysis focuses on five key scenes. Scene 23 presents generational conflict and the protective role of a single mother. Scene 28 challenges the myth that boys require a father figure by portraying a collective caregiving model. Scene 63 highlights societal stereotypes regarding the sexual orientation of independent women. Scene 62 reflects Dorothea’s struggle to balance domestic and professional responsibilities. Scene 122 illustrates emotional reconciliation between mother and son, refuting the myth that fatherless families are inherently dysfunctional. In conclusion, the film portrays the single mother as a strong, rational, and independent figure, while reflecting a paradigm shift in gender roles and family structures within popular culture. This research contributes to media and gender studies, particularly in the context of nontraditional families.
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